Yes, they are quite popular among country Tele players for a "snap" to the attack (and to make up for inconsistent right hand attack), but for long sustain PLUS maintaining bell-like attack you need to take a different route. Barring that - or even in combination - use a compressor that doesn't kill your attack, At times I will use an Xotic SP compressor, which is tonally neutral, provides nice sustain with a low noise level, and allows you to mix your dry signal in so you don't lose the "bell".Ī "squishy" compressor will be a tone suck- without exception they, by nature, have to alter your tone - and most kick the noise up as the note sustains. two MXR DDL pedals (digital delays), which Gilmour which controlled separately from the presets in the Roland SCC-700 using an A/B switch pedal. Then, with simple manipulation of the guitar controls you can milk the sustain for all its worth - right on the edge of saturation and feedback you can "drive" the sound by riding one per both controls without loosing the bell-like tone of a clear, uncompressed (other than natural amp compression - totally different from pedal compression), bell-like note invitation.Ģ. Gilmour's SCC-700 Pedal Controller contained a full gamut of Boss pedals, namely SD-1 Overdrive, GE-6 Equalizer, GE-7 Equalizer, DD-2 Digital Delay, CS-2 Compressor/Sustainer, and CE-3 Chorus. As small a tube amp as you can use wherever you are playing so you can crank it right to the top of the headroom threshold with your guitar volume at around 80% (and normally the tone control rolled off just a hair). When you squash the attack you will lose the bell-like quality you're aiming for.
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